Colchester, United Kingdom

Wild Writing: Literature, Landscape and Environment

Master's
Language: EnglishStudies in English
Subject area: humanities
Qualification: MA
Kind of studies: part-time studies
Master of Arts (MA)
University website: www.essex.ac.uk
Environment
Environment may refer to:
Landscape
A landscape is the visible features of an area of land, its landforms and how they integrate with natural or man-made features.
Literature
Literature, most generically, is any body of written works. More restrictively, literature writing is considered to be an art form, or any single writing deemed to have artistic or intellectual value, often due to deploying language in ways that differ from ordinary usage.
Wild
Wild, the wild or wilds may refer to:
Writing
Writing is a medium of human communication that represents language and emotion with signs and symbols. In most languages, writing is a complement to speech or spoken language. Writing is not a language, but a tool used to make languages be read. Within a language system, writing relies on many of the same structures as speech, such as vocabulary, grammar, and semantics, with the added dependency of a system of signs or symbols. The result of writing is called text, and the recipient of text is called a reader. Motivations for writing include publication, storytelling, correspondence, record keeping and diary. Writing has been instrumental in keeping history, maintaining culture, dissemination of knowledge through the media and the formation of legal systems.
Writing
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
Anaïs Nin, The Diary of Anaïs Nin, Vol. 5 (1947-1955), February 1954, as quoted in Woman as Writer (1978), p. 38.
Writing
I'm a bit of a grinder. Novels are very long, and long novels are very, very long. It's just a hell of a lot of man-hours. I tend to just go in there, and if it comes, it comes. A morning when I write not a single word doesn't worry me too much. If I come up against a brick wall, I'll just go and play snooker or something or sleep on it, and my subconscious will fix it for me. Usually, it's a journey without maps but a journey with a destination, so I know how it's going to begin and I know how it's going to end, but I don't know how I'm going to get from one to the other. That, really, is the struggle of the novel.[1]
Martin Amis, Interview 1995.
Literature
Be less concerned about the number of books you read, and more about the good use you make of them. The best of books is the Bible.
Christian Scriver, p. 386.
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