Madrid, Spain

Television Fiction Direction

Master's
Language: EnglishStudies in English
Subject area: arts
Language: Bilingual (English / Spanish)
University website: www.nebrija.com
Direction
Direction may refer to:
Fiction
Fiction is a story or setting that is derived from imagination—in other words, not based strictly on history or fact. Fiction can be expressed in a variety of formats, including writings, live performances, films, television programs, animations, video games, and role-playing games, though the term originally and most commonly refers to the narrative forms of literature (see literary fiction), including novels, novellas, short stories, and plays. Fiction is occasionally used in its narrowest sense to mean simply any "literary narrative".
Television
Television (TV) is a telecommunication medium used for transmitting moving images in monochrome (black and white), or in colour, and in two or three dimensions and sound. The term can refer to a television set, a television program ("TV show"), or the medium of television transmission. Television is a mass medium for advertising, entertainment and news.
Television
I may be vile and pernicious
But you can't look away
I make you think I'm delicious
With the stuff that I say
I'm the best you can get
Have you guessed me yet?
I'm the slime oozin' out
From your TV set.
Frank Zappa, "I'm the Slime", in Over-Nite Sensation (1973)
Fiction
Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't.
Mark Twain, Following the Equator (1897), ch. 15.
Fiction
Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable.
Sir Arthur Conan Doyle, A Case of Identity (1891).
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