Cologne (Köln), Germany

Music Mediation

Musikvermittlung

Master's
Language: GermanStudies in German
Subject area: arts
Qualification: Master, Zwei-Fach
Kind of studies: full-time studies
University website: www.Uni-Koeln.de
Mediation
Mediation is a dynamic, structured, interactive process where a neutral third party assists disputing parties in resolving conflict through the use of specialized communication and negotiation techniques. All participants in mediation are encouraged to actively participate in the process. Mediation is a "party-centered" process in that it is focused primarily upon the needs, rights, and interests of the parties. The mediator uses a wide variety of techniques to guide the process in a constructive direction and to help the parties find their optimal solution. A mediator is facilitative in that she/he manages the interaction between parties and facilitates open communication. Mediation is also evaluative in that the mediator analyzes issues and relevant norms ("reality-testing"), while refraining from providing prescriptive advice to the parties (e.g., "You should do... .").
Music
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). See glossary of musical terminology.
Music
A chord is by no means an agglomeration of intervals. It is a new unit which, although dependent on the formative power of the single interval, is felt as being self-existent and as giving to the constituent intervals meanings and functions which they otherwise would not have.
Paul Hindemith (1952: 72). A Composer's World. Cambridge, Mass.
Music
Gayly the troubadour
Touched his guitar.
Thomas Haynes Bayly, Welcome Me Home.
Music
Strange! that a harp of thousand strings
Should keep in tune so long.
Isaac Watts, Hymns and Spiritual Songs, Book II. 19.
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