Dance Anthropology

Adventure has no place in the anthropologists profession; it is merely one of those unavoidable drawbacks, which detract from his effective work through the incidental loss of weeks or months

Every culture faces the same fundamental challenges. Men and women come together, children are brought into the world, nurtured and sheltered; elders are led into the realm of death as fearlessly as the imagination allows. To be human is to know the terror and splendour of a night sky, the crush of storms, the blood cries of enemies sweeping in with the dawn. Such is our common experience. To bring order to chaos, sense to sensation, we have created rules, which cross-culturally are remarkable in their consistency. ... Yet within this common fabric, this cloak of humanity, lie the individual threads of specific and highly specialized ways of life, distinct cultures, each with its unique and wondrous dream of the Earth. Unravelling the cloth and holding the strands to the light is the practice and contribution of ethnography.

Ghritachi and Menaka and Rambha and Purvachitti and Swayamprabha and Urvashi and Misrakeshi and Dandagauri and Varuthini and Gopali and Sahajanya and Kumbhayoni and Prajagara and Chitrasena and Chitralekha and Saha and Madhuraswana, these and others by thousands, possessed of eyes like lotus leaves, who were employed in enticing the hearts of persons practising rigid austerities, danced there. And possessing slim waists and fair large hips, they began to perform various evolutions, shaking their deep bosoms, and casting their glances around, and exhibiting other attractive attitudes capable of stealing the hearts and resolutions and minds of the spectators.