Liverpool, United Kingdom

English: Science Fiction Studies

Master's
Language: EnglishStudies in English
Subject area: languages
Qualification: MA
Kind of studies: full-time studies, part-time studies
Master of Arts (MA)
University website: www.liv.ac.uk
English
English usually refers to:
Fiction
Fiction is a story or setting that is derived from imagination—in other words, not based strictly on history or fact. Fiction can be expressed in a variety of formats, including writings, live performances, films, television programs, animations, video games, and role-playing games, though the term originally and most commonly refers to the narrative forms of literature (see literary fiction), including novels, novellas, short stories, and plays. Fiction is occasionally used in its narrowest sense to mean simply any "literary narrative".
Science
Science (from Latin scientia, meaning "knowledge") is a systematic enterprise that builds and organizes knowledge in the form of testable explanations and predictions about the universe.
Fiction
It doesn’t have to be New York; it could have been Kokomo. I think the point is that having a fictional character come from a real place makes the character seem more real. When I was young, I loved to read Sherlock Holmes. And the fact that he lived on Baker Street in London, a real place, made me enjoy the stories more, with a greater feeling of authenticity.
Stan Lee "STAN LEE Talks Big Screen SPIDER-MAN Depiction" Jim McLauchlin, Newsarama, June 22, 2015
Fiction
As regards plots I find real life no help at all. Real life seems to have no plots.
Ivy Compton-Burnett, "A Conversation Between I. Compton-Burnett and M. Jourdain", in R. Lehmann et al. (eds.) Orion (London: Nicholson & Watson, 1945) vol. 1, p. 2.
Fiction
In the form of the oeuvre, the actual circumstances are placed in another dimension where the given reality shows itself as that which it is. Thus it tells the truth about itself; its language ceases to be that of deception, ignorance, and submission. Fiction calls the facts by their name and their reign collapses; fiction subverts everyday experience and shows it to be mutilated and false.
Herbert Marcuse, One Dimensional Man (1964), p. 62
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