Wolverhampton, United Kingdom

Digital Quantity Surveying

Master's
Language: EnglishStudies in English
Qualification: MSc
Kind of studies: full-time studies, part-time studies
Studies online Studies online
Master of Science (MSc)
University website: www.wlv.ac.uk
Digital
Digital usually refers to something using digits, particularly binary digits.
Quantity
Quantity is a property that can exist as a multitude or magnitude. Quantities can be compared in terms of "more", "less", or "equal", or by assigning a numerical value in terms of a unit of measurement. Quantity is among the basic classes of things along with quality, substance, change, and relation. Some quantities are such by their inner nature (as number), while others are functioning as states (properties, dimensions, attributes) of things such as heavy and light, long and short, broad and narrow, small and great, or much and little.
Surveying
Surveying or land surveying is the technique, profession, and science of determining the terrestrial or three-dimensional positions of points and the distances and angles between them. A land surveying professional is called a land surveyor. These points are usually on the surface of the Earth, and they are often used to establish maps and boundaries for ownership, locations, such as building corners or the surface location of subsurface features, or other purposes required by government or civil law, such as property sales.
Quantity
Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning concerning matter of fact and existence? No. Commit it then to the flames: for it can contain nothing but sophistry and illusion.
David Hume, An Enquiry Concerning Human Understanding, Section 12, Part 3
Quantity
Monotony of evil: never anything new, everything about it is equivalent. ... It is because of this monotony that quantity plays so great a part. A host of women (Don Juan) or of men (Célimène), etc.
Simone Weil, Gravity and Grace (1972), p. 62
Quantity
The mass is a matrix from which all traditional behavior toward works of art issues today in a new form. Quantity has been transmuted into quality. The greatly increased mass of participants has produced a change in the mode of participation.
Walter Benjamin, “The work of art in the age of mechanical reproduction” (1935), Illuminations (1968), p. 239
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